Tonight I was deeply moved and enthusiastically inspired by a piano recital at Piano Salon Christophori. Russian pianist Ekaterina Derzhavina was performing Haydn and Metner in a way that made me burst for joy and cry in ever-repeating change. What a passionate, graceful, and simultaneously modest playing. And I didn’t have to leave my hometown, not even my borough, to be lucky enough to make this outstanding experience. At times, very rarely in fact, one may feel blessed just by being present in a moment of divine musical inspiration. This has just been such a moment, and I am grateful to have encountered it.
Begebenheit und Seiltanz
Recently completed: An article on the sociotopical traits of contemporary music (for the fascinating Seiltanz magazine) and an idiosyncratic, anything but contemporary piece named Begebenheit for cello or french horn with piano. May the latter serve as a remedy for the provocation of the former.
Sonaten und Erzählungen im Konzert
Last week has seen another fascinating Medtner event in my university’s chamber hall, confronting the Russian composer’s 1st violin sonata, Op. 21, and Sonata-Ballade, Op. 27, with Beethoven’s Sonata quasi una fantasia, Op. 27 No. 1. Many thanks, Sasha Karpeyev and Viktoria Kaunzner, for your excellent playing!
Metner-Festival in London
F-sharp major is one of music’s most beautiful tonalities. I’ll be talking about Nikolai Metner’s Sonata-Ballade, Op. 27, written in exactly that key, tomorrow morning in a symposium at The British Library, London. This will be part of an exceptional program of talks, concerts, a master class and film screening from today through Saturday, all about Metner, and with the participation of the finest scholars and performers. Really looking forward to the Metner Study Day, one of the rare occasions of a research event fully dedicated to this composer’s music. Principal organizer of the Metnerfest is my dear colleague Sasha Karpeyev.
Klaviersonaten-Vortrag in Wien
Off to Vienna. Will be presenting my thoughts on Russian single-movement piano sonatas tomorrow at the University of Music and Performing Arts. Looking forward to blathering extensively about music by Metner, Scriabin, Myaskovsky, Aleksandrov, and Prokofiev.