The Peak of Sexist Music Journalism
The Peak of Sexist Music Journalism

The Peak of Sexist Music Journalism

I recently stumbled upon this 2015 piece by Damian Thompson claiming the general inferiority of woman composers, and can’t quite figure out whether it really is the blatantly offensive, misogynic bullshit which it appears to be, or if there is some sort of hidden irony in it which I just don’t get. I tend to believe it is the former. Only good thing about this crap is that the author rapidly and unmistakably discloses himself as an ignorant moron, excreting loads of incredible nonsense while not having the slightest clue of what terms such as ›well crafted‹ or ›badly crafted‹ actually mean in a musical context. What is more, he totally lacks the criteria to judge whether, and under which preconditions, assessments such as ›great‹, ›genius‹ or ›first rank‹ may be reasonably applied to music, nor is he aware of the sheer obsolescence of his terminology. He does not even deliver a proper argument in support of his boastful headline, assuming that »there are no great female composers«. Howsoever disgraceful this overt sexism comes across, I still don’t think that Thompson is a troll who should simply be ignored. Given that the article is already three years old, my comment may not seem necessary at all, but I cannot help but wish that the author’s name may forever be associated with this breathtaking load of rubbish.

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