In an insightful report about making a career in opera singing, Emilia Smechowski portrays five former voice students of Hochschule für Musik Hanns Eisler Berlin, citing the protagonists (whose names are disclosed) with some sensitive and very personal statements. While a public discussion of the over-competitive environment and unhealthy working conditions in classical music business is most desirable, the article raises the question if the author had better quoted her sources anonymously. Given that she claims to have been a fellow student of the interviewed artists, some of whom feel that they are characterised in an inappropriate way, the impartiality of her perspective seems at least disputable.