I was lucky enough to receive a wild card for participation in the 18th annual conference of the German Society for Music Theory (GMTH), being held the following weekend at Bremen University of the Arts, and focusing on counterpoint as a central paradigm of music analysis and theoretical teaching. If you happen to be around, I’d be inexpressibly delighted to have your company for my paper presentation »Fugal Writing in Sonatas«, taking place on Saturday, 6 October, 4:30 pm, in room 1.01. I will discuss intersections of the fugue and sonata principles in the music of Haydn, Beethoven, Mendelssohn, Brahms, Myaskovsky, Szymanowski, and Hindemith.