<span class="vcard">Wendelin Bitzan</span>
Wendelin Bitzan

Statement on UdK Berlin

Dear folks, I need to clarify something. Apparently there are rumours spreading that I quit teaching at the Berlin University of the Arts for some other reason than I have pointed out. Several persons seem to assume a tactical move: By leaving university I might have made myself unsuspiciously eligible for accepting a professorship, allegedly due to a nepotistic agreement, and in order to avoid a domestic appointment (»Hausberufung«). This story currently circulates among German music theorists and music universities, so I feel obliged to issue a short statement.

Let me get things straight: This is absolute total bullshit. Neither was any post at UdK Berlin’s Faculty of Music offered to me, nor did I apply for any position with more than average expectations to be considered an eligible appointee. The suspicion is particularly absurd because the said institution just recently appointed a long-term faculty member as professor without any objection. As for my own concern, I assure everybody that I left university with no subsequent contract or other prospective position in mind. At the time I decided to quit I had no knowledge of any professoral position at UdK Berlin to be advertised soon. This is the truth, and nothing but the truth.

A Month with Medtner

September keeps me busy with two activities related to the music of Nikolai Medtner. I am again contributing to a project in the field of cognitive musicology based at EPF Lausanne, providing harmonic analyses for a bunch of Medtner’s fascinating skazki in order to make the music accessible to computational modeling. At the end of the month I will be participating in the annual conference of Gesellschaft für Musikforschung for the first time, presenting a paper on Medtner’s massive ›Night Wind‹ Sonata, Op. 25 No. 2, at Universität Kassel. Couldn’t be more excited!

A New Duet Diptych

The sheet music of my new duet composition entitled Lyric Diptych is now available on IMSLP. It comprises settings of the German folksong Es saß ein klein Waldvögelein and of Marie von Ebner-Eschenbach‘s poem Ein kleines Lied, each scored for two voices and piano. The music was commissioned by Anne-Sophie, Caroline and Marina of Trio 2achtundachtzig. Looking forward to the premiere!

The Notorious Vacation Void

Three short announcements to fill the summer slump, wishing all of you an awesome holiday time:
(1) My favourite workspace of the last months, Goodies Deli cafe at Bikini Berlin, has suddenly closed without notifying me in advance (#wtf).
(2) I would really appreciate if German academia took similar care in advertising their vacancies as the University of Copenhagen does (#omg).
(3) Nikolai Medtner‘s E minor Piano Sonata, Op. 25 No. 2, is one of the most intriguing pieces of music I have ever encountered (#yolo).

Women and Music Theorists on the Rise

There are two general tendencies in music university administration in the German-speaking countries. First, more and more institutions are led by music theorists and composers (Berlin, Freiburg, Hamburg, Mainz, Munich, Nuremberg, Würzburg). Second, an increasing number of principals and deans are female (Augsburg, Dresden, Hanover, Rostock, StuttgartTrossingen; a significant peak in Austria: Graz, Linz, Salzburg, and Vienna; none in Switzerland). I feel positive about both of these developments. Let me know what you think!