One of the most disputatious musicologists of all time has left the stage: Richard Taruskin (1945–2022) died a few days ago. As a music scholar and practitioner, he incited controversy wherever he raised his eloquent and often relentless voice. His merit is to have polarised and politicised musicological discourse in such a way that it became a public affair again, unquestionable in its social relevance. With his prolific writing, he took Russian music studies to a new level, continuously debunking myths and disenchanting widespread opinions in historiography. Most certainly, even those who ardently disagreed with Taruskin will regret that his voice fell silent. My own German-language obituary appeared in VAN Magazin today.