This semester I am teaching a music analysis seminar on Alexander Scriabin‘s sonata conceptions at TU Dortmund University. The covered repertoire will range from the early sonatas of the 1880s to the Poème de l’extase, Op. 54, including solo piano music, the three symphonies, and the piano concerto. Since the group of participants is a bit smaller than expected, I will gladly accept some guests—please let me know in case you would like to join. The seminar is taking place every Thursday, in alternating on-site and remote sessions.