On Friday, 28 October, Joanna Talarkiewicz, Sojeong Son and Hanna Raniszewska will premiere my composition Tiefes Herz, a setting of a Sarah Kirsch poem for voice, flute and piano, performed in a public masterclass of my dear colleague Karola Theill along with music by Lachner, Brahms, Saint-Saëns and Vaughan Williams. It’s going to be a delicate pleasure, and I’d be delighted to see you in the audience.
My recent writings on Russian music are now obtainable online. Make sure to read or download the papers soon—once they are printed, the publishers will have me take them down 😉 The Taneyev & Scriabin symphony essay is available in three different languages, while the papers on the Medtner sonatas, Opp. 11, 22, and 27, come in German or English only. My apologies for the language barrier—hope you appreciate my stuff anyway!
The editing of my latest recording is now finished. It features some recent piano compositions, including Children’s Kaleidoscope, a short cycle in four pieces that was written for my daughter Cosima’s 4th birthday. I’d be most delighted if you could spare a couple of minutes to listen to some excerpts, such as this one: Being First, a little invention for piano, with its two voices chasing after each other. — Also, the typesetting of my complaisant woodwind quintet named Symphonic Scene is finally completed. The score is available here.
I have started a Medtner newsletter. The idea is to send information and updates on events, publications, recent recordings, and other developments related to Nikolai Medtner—to be issued from time to time, presumably 2–3 numbers per year. Let me know if you want to subscribe. I will also be grateful if you provided me with information to include in the following issues!