Now that the eleventh month has come, here is a suitable background music from my manufacture. Make yourself comfy, brew a cup of tea, and enjoy my piano piece November Lament. May all of you get through this gloomy, cold, and rainy season well!
First Performance: Tiefes Herz
On Friday, 28 October, Joanna Talarkiewicz, Sojeong Son and Hanna Raniszewska will premiere my composition Tiefes Herz, a setting of a Sarah Kirsch poem for voice, flute and piano, performed in a public masterclass of my dear colleague Karola Theill along with music by Lachner, Brahms, Saint-Saëns and Vaughan Williams. It’s going to be a delicate pleasure, and I’d be delighted to see you in the audience.
Taneyev, Scriabin, and Medtner
My recent writings on Russian music are now obtainable online. Make sure to read or download the papers soon—once they are printed, the publishers will have me take them down 😉 The Taneyev & Scriabin symphony essay is available in three different languages, while the papers on the Medtner sonatas, Opp. 11, 22, and 27, come in German or English only. My apologies for the language barrier—hope you appreciate my stuff anyway!
University Choral Concert
The Kammerchor der UdK Berlin recently gave, with my humble participation, an acclaimed concert of beautiful motets by Johann Hermann Schein and Max Reger. Listen and enjoy Reger’s magical Die Nacht ist kommen, Op. 138 No. 3, one of my all-time favourites in choral literature.
Latest Piano Recordings
The editing of my latest recording is now finished. It features some recent piano compositions, including Children’s Kaleidoscope, a short cycle in four pieces that was written for my daughter Cosima’s 4th birthday. I’d be most delighted if you could spare a couple of minutes to listen to some excerpts, such as this one: Being First, a little invention for piano, with its two voices chasing after each other. — Also, the typesetting of my complaisant woodwind quintet named Symphonic Scene is finally completed. The score is available here.