I was lucky enough to receive a wild card for participation in the 18th annual conference of the German Society for Music Theory (GMTH), being held the following weekend at Bremen University of the Arts, and focusing on counterpoint as a central paradigm of music analysis and theoretical teaching. If you happen to be around, I’d be inexpressibly delighted to have your company for my paper presentation »Fugal Writing in Sonatas«, taking place on Saturday, 6 October, 4:30 pm, in room 1.01. I will discuss intersections of the fugue and sonata principles in the music of Haydn, Beethoven, Mendelssohn, Brahms, Myaskovsky, Szymanowski, and Hindemith.
Events
A Little Song
Looking forward to the Berlin-Brandenburgian first performance of my composition »Lyric Diptych« for two female voices and piano, included in a fascinating recital programme presented by Anne-Sophie Balg, Caroline Seibt, and Marina Mitrovski of Trio 2achtundachtzig, on Sunday, 23 September, 5 pm, in the Protestant Church Kleinmachnow. Folk songs and adaptations are awaiting you, among them my rendering of Marie von Ebner-Eschenbach‘s »Ein kleines Lied«. The venue is just around the corner from Berlin. Catch a bus and drop by!
St Petersburg Conference
Preparing a paper for the conference »The Cultural Space of Russia: Genesis and Transformations«, a section of which is dedicated to the music of Nikolai Medtner, taking place the following weekend at the St Petersburg State Institute of Culture and the Arts. My contribution will be concerned with hybrid work titles and permeability of musical genre in Medtner. Organisation and public notice of the event is unsatisfactory, to say the least—but nonetheless I look forward to the trip and to seeing St Petersburg again.
At the Piano – Music and Poetry
In my ongoing endeavour to explore and demonstrate the common origin of all artistic inspiration, an interdisciplinary concert project has arisen. This Saturday, 24 March, I will team up with my fabulous colleague Klas Yngborn for a private soiree in Berlin-Zehlendorf, starting at 7 pm. In a hybrid performance combining aspects of a lyric reading and piano recital, Klas will recite some of the most beautiful examples of Expressionist poetry, while I’ll be contributing a number of intriguing early-20th-century piano pieces. Please see the Facebook event page for further details.
Exploring Symbolist Creativity
I will be presenting a paper titled »Colour – Word – Sound. On the Intermediality of Genre and Sensory Perception in East European Art of the Fin de siècle« at the 12th Weimar Conference of Music Theory, taking place the following weekend at Hochschule für Musik Weimar. If you feel inclined to discuss the work of Scriabin, Medtner, Balmont, Bely, Kandinsky, Čiurlionis and other Symbolist artists, and are not discouraged by the unearthly hour of my presentation, I’d be delighted to have your company! Then and there: Sunday, 4 March 2018, 9 am, Klostergebäude am Palais.