One of my most formative teachers who influentially shaped my way of thinking about music and art is the music theorist, double bassist, mathematician at heart, and philanthropist Stefan Prey. At the end of the current semester he will take his leave after four decades of teaching at Universität der Künste Berlin. His career has been a silent and dedicated one: never striving for publicity or reputation, but constantly focusing on the subject and the students’ interests in a way I have not experienced anywhere else. The appearance of his website tells more about him and his attitude than I can explain here. This is just to say that my approach to teaching and my general understanding of how music can be perceived and comprehended owes quite a lot to Stefan and his paragon. So I am grateful and humbled to contribute my bit to the online festschrift for his 65th birthday—an analytical paper on the music of Amy Beach, which is accessible here. Thank you so much!