The repertoire for guitar and marimba duo is not what you would call a cornucopia (no horns involved, naturally). However, I made a contribution. Guitarists and percussionists are invited to have a look at my composition At the Forest Verge which is now finished and typeset, consisting of four short pieces inspired by my favourite trees and their specifically-shaped leaves. You can download the sheet music here on my IMSLP page.
Compositions
Music Theory Faculty Concert
Dear folks, I’ll have the considerable pleasure to perform two of my own compositions in a faculty concert next Friday, 10 February, 7:30 pm, at Joseph Joachim hall, Berlin University of the Arts. As the opener to a versatile programme including viola d’amore, jazz vocals, and improvisations on Schubert, my piano cycle Children’s Kaleidoscope will experience its first complete performance, along with the sombre November Lament (yes, still not matching the month of presentation). Admission is free—it’d be so much of a delight if you joined the audience!
Seasonal Music for Autumn
Now that the eleventh month has come, here is a suitable background music from my manufacture. Make yourself comfy, brew a cup of tea, and enjoy my piano piece November Lament. May all of you get through this gloomy, cold, and rainy season well!
First Performance: Tiefes Herz
On Friday, 28 October, Joanna Talarkiewicz, Sojeong Son and Hanna Raniszewska will premiere my composition Tiefes Herz, a setting of a Sarah Kirsch poem for voice, flute and piano, performed in a public masterclass of my dear colleague Karola Theill along with music by Lachner, Brahms, Saint-Saëns and Vaughan Williams. It’s going to be a delicate pleasure, and I’d be delighted to see you in the audience.
Latest Piano Recordings
The editing of my latest recording is now finished. It features some recent piano compositions, including Children’s Kaleidoscope, a short cycle in four pieces that was written for my daughter Cosima’s 4th birthday. I’d be most delighted if you could spare a couple of minutes to listen to some excerpts, such as this one: Being First, a little invention for piano, with its two voices chasing after each other. — Also, the typesetting of my complaisant woodwind quintet named Symphonic Scene is finally completed. The score is available here.