Compositions
Compositions

Streaming Releases #3–5

Some more releases of my music are live on all relevant streaming platforms: a solo piano piece, Fantasia come una Sonata, of 2003, as well as two choral works, Maienlied and Erstes Elegisches Gedicht, also composed some twenty years ago. During the next months I will add other pieces in chronological order. Many thanks to all the performers who agreed on making these recordings available! I’d be delighted if you stop by, have a listen, and leave some likes or playlist adds. #streamscometrue

» Check, for example, my S.p.O.t.I.f.Y profile

Streams Come True

I decided to publish a selection of my compositions on commercial streaming platforms—not to earn a profit, of course, as I don’t expect any significant revenues, but to make my music more widely available. My first release is a short solo piece that I wrote and recorded some twenty years ago: Introduction and Waltz for piano, a capricious miniature inspired by Brecht’s Threepenny Opera. If you like it, please add the piece to your libraries or playlists, and consider following or sharing my artist page. Your support is much appreciated!

Music for Young Harpists

Glad to announce that my short composition Song without Words has been selected by the German Harpists Association as a compulsory piece in their 2024 harp competition for participants aged up to 12 years. The piece is dedicated to my children and exists in three alternative versions for solo harp, guitar, and piano. For everybody interested, the music is freely available online.

Piano Trio in Düsseldorf

I am delighted to announce the forthcoming performances of my piano trio Kammerdialog. A Conversation with Violin, Cello, and Piano, which will be played multiple times on 9 and 10 July as part of the Tage der Kammermusik series at Robert Schumann Hochschule Düsseldorf. The piece already dates from 2008, but has been performed in public only twice (also some years ago). So I am lucky to enjoy the support of some talented musicians, cellist Inés Bueno López and violinist Enrique Carlsson, with whom I will share the stage on two consecutive days, with two respective performances of the trio in either concert. Cordial invitation implied!

  • Saturday, 9 July 2022, from 7 pm: in a programme with piano trios by Beethoven and Clara Schumann
  • Sunday, 10 July 2022, from 11 am: alongside more piano trios by Haydn and Shostakovich